The Story
From Library JournalThis book does not treat the themes cited in the title but instead considers the groups that define themselves in terms of racial identity, sexual orientation, and gender politics. It explores how, and by whom, these minority groups have become a central force in contemporary art. Transgression is the essence of avantgarde art, but these groups seem to seek validity within the structures they set out to challenge. LucieSmith is much troubled by what he sees as the judgment of art based on the artists sex, race, or sexual preference rather than its aesthetic quality. Is morality really a substitute for merit? An interesting look at an issue of current interest and concern to us all.Paula Frosch, Metropolitan Museum of Art Lib., New YorkCopyright 1994 Reed Business Information, Inc.Product DescriptionA comprehensive and enlightening survey of works of art by artists once considered outside the mainstreamincluding African Americans, feminists, Hispanic Americans, and homosexualstraces how these groups have come to prominence and revolutionized the art world.From BooklistHistorians have been playing catchup over the past decade in an attempt to recognize and document the heretofore ignored yet essential roles of women and minorities. This worthwhile effort has brought us both the blessing of a more accurate and enlightening perspective and the curse of superficial forms of political correctness. Prolific and candid art historian LucieSmith is not afraid to elucidate the many subtle ways this muddle of good intentions with genuine scholarship and aesthetic appreciation can skew our perceptions of the art of African Americans, Chicanos, feminist women, gay men, Australian Aboriginal and Maori artists, and modern African and Asian artists. For one thing, there is great artistic diversity within each of these groups, since not every member of a racial, ethnic, or sexual group creates overtly political or grouporiented art. LucieSmith discusses a number of artists from each group in terms of how their work relates to their minority status, their uniquely personal viewpoint, and the aesthetics and expectations of the majority. Of particular interest is the section on minority sexuality in which LucieSmith focuses on the art of gay men and the use of sexual imagery as a weapon of the avant garde. Donna Seaman
Description
From Library JournalThis book does not treat the themes cited in the title but instead considers the groups that define themselves in terms of racial identity, sexual orientation, and gender politics. It explores how, and by whom, these minority groups have become a central force in contemporary art. Transgression is the essence of avantgarde art, but these groups seem to seek validity within the structures they set out to challenge. LucieSmith is much troubled by what he sees as the judgment of art based on the artists sex, race, or sexual preference rather than its aesthetic quality. Is morality really a substitute for merit? An interesting look at an issue of current interest and concern to us all.Paula Frosch, Metropolitan Museum of Art Lib., New YorkCopyright 1994 Reed Business Information, Inc.Product DescriptionA comprehensive and enlightening survey of works of art by artists once considered outside the mainstreamincluding African Americans, feminists, Hispanic Americans, and homosexualstraces how these groups have come to prominence and revolutionized the art world.From BooklistHistorians have been playing catchup over the past decade in an attempt to recognize and document the heretofore ignored yet essential roles of women and minorities. This worthwhile effort has brought us both the blessing of a more accurate and enlightening perspective and the curse of superficial forms of political correctness. Prolific and candid art historian LucieSmith is not afraid to elucidate the many subtle ways this muddle of good intentions with genuine scholarship and aesthetic appreciation can skew our perceptions of the art of African Americans, Chicanos, feminist women, gay men, Australian Aboriginal and Maori artists, and modern African and Asian artists. For one thing, there is great artistic diversity within each of these groups, since not every member of a racial, ethnic, or sexual group creates overtly political or grouporiented art. LucieSmith discusses a number of artists from each group in terms of how their work relates to their minority status, their uniquely personal viewpoint, and the aesthetics and expectations of the majority. Of particular interest is the section on minority sexuality in which LucieSmith focuses on the art of gay men and the use of sexual imagery as a weapon of the avant garde. Donna Seaman
